Luncheon of the Boating Party by Pierre-Auguste Renoir

Luncheon of the Boating Party by Auguste Renoir (1881)

My Daily Art Display today features one of the best known Impressionist paintings.  It is Luncheon of the Boating Party by Renoir which he painted in 1881.  Although I would rank Impressionism outside my top three favourite art genres, I was fascinated by this painting and the story behind it.

Maison Fournaise (c.1890)

I suppose firstly I should examine the setting for the painting, which is the balcony at the Maison Fournaise.  This building is situated on the ÎlIe de Chatou, an island situated across from the small town of Chatou, which is situated on the right bank of the Seine.   Boating on the Seine became a very popular form of recreation in the middle of the eighteenth century and whereas Argenteuil, a little way upstream from Chatou, where the Seine is wider and with its more prevalent winds, attracted sailors, the Îlle de Chatou was the ideal spot for rowers.  Alphonse Fournier, who was a river toll collector and a part-time boat carpenter, set up his boat building workshop along with his boat rental business in 1857.  Alphonse also used to organise boat regattas and water festivals.   At the same time, his wife, an accomplished cook, opened a restaurant next door.  This restaurant, combined with the boat rental facility and its many organised boating events, was a very popular family-run business.   Their daughter Louise-Alphonsine, who became a popular and well-known artist’s model, greeted the clients whilst their son Jules-Alphonse charmed the ladies and assisted them into the boats.  Artists visiting Maison Fournaise were never short of potential models for as Renoir wrote:

“…..I was constantly spending my time chez Fournaise-there I found as many beautiful girls as one could ever wish to paint!…..”

The Island of Chatou had other thing going for it.  Rail travel allowed Parisians easy access to this area in the countryside.  If you look carefully under the awning you can just make out, at the top left, the blue-gray outline of the Chatou railroad bridge, part of the government’s recently completed transportation projects that had made access to this riverside destination possible to everybody, not just to the members of the upper class.

La Maison Fournaise, today.

The setting also radiated   peace and tranquillity along with its ideal light conditions and proved a haven for artists with the likes of Claude Monet, Alfred Sisley, Berte Morisot, Edouart Manet and Camille Pissaro often visiting the location.   Auguste Renoir was also a regular caller and he once described his love of the establishment in a letter to friend:

“…You could find me anytime at Fournaise’s. There, I was fortunate enough to find as many splendid creatures as I could possibly desire to paint……….. I can’t leave Chatou, because my painting is not finished yet. It would be nice of you to come down here and have lunch with me. You won’t regret the trip, I assure you. There isn’t a lovelier place in all Paris surroundings….

The Fournaises’ two businesses flourished until 1906 when Madame Fournaise closed the restaurant and four years later Alphonse Fournaise wound down his boat rental enterprise.  Then, unfortunately, over the years,  the deserted premises started to fall into disrepair.  Madame Fournaise died in 1937.  By the 1970’s the buildings were at the point of complete dereliction.  However in 1977 the town of Chatou bought the building and five years later it listed it as a building of historic significance, joining the register of Les Monuments Historiques and restoration work began with the support from The Friends of Maison Fournaise and The Friends of French Art.   Currently the building is a museum, La Fournaise Museum, and in 1990 a restaurant reopened on the premises

So now we know the setting for the painting let me introduce you to some of the people featured in this wonderful painting.  As in a number of Renoir’s paintings, he liked to include portraits of his friends.

The Participants
  1.  Aline Charigot, seen holding a dog, was a seamstress and part time model for Renoir.  Aged twenty-seven at the time of the painting met Renoir in 1880 and they were married in 1890, despite a thirteen year age difference.  The couple had three children, Pierre, Jean (who became the well-known filmmaker) and Claude.  Despite being much younger than Renoir she died four years before him in 1915, aged 61 and was buried in the churchyard at Essoyes in the Champagne-Ardennes region of France which was her childhood home.  Renoir who died a few months before his seventy-ninth, in Cagnes, was laid to rest alongside his beloved wife.
  2. Jules-Alphonse Fournaise, wearing a straw boater and sportsman’s T shirt leans against the balustrade.  He was the son of the owner of Maison Fournaise and was in charge of the boat rentals.
  3. Louise-Alphonsine Fournaise, leaning against the balustrade is the daughter of the owner of the establishment and a war widow.
  4. Baron Raoul Barbier, sporting a brown bowler hat, has his back to us as he engages the proprietor’s daughter in conversation.  Formerly a cavalry officer and war hero later became mayor of colonial Saigon.  The two loves in his life were women and horse racing.
  5. Jules Laforgue, a Symbolist poet, journalist on the La Vie Moderne newspaper and private secretary to Charles Ephrussi (No.8)
  6. Ellen Andrée, seen drinking from her glass. Aged 24 at the time of the painting, she was a Parisian actress and mime at the Folies Bergère and sometime artist’s model for Renoir, Manet and Degas (See My Daily Art Display June 7th where the actress has modeled for the Degas painting).
  7. Angèle Leault, some time Parisian actress and singer and also a market flower seller.
  8. Charles Ephrussi, wearing a top hat and in conversation with his secretary.  Russian-born Ephrussi was a wealthy art collector and historian as well as being editor of the prestigious art magazine, Gazette des Beaux-Arts.  He was a great supporter of the Impressionist painters.
  9. Gustave Caillebotte, in the right foreground with a cigarette in his hand.  He was a good friend of Renoir and a well-known painter in his own right.  He was a collector of Impressionist paintings and also one of Renoir’s wealthy patrons.  Renoir’s prominent positioning of Caillebotte was not accidental but was a measure of his importance to Renoir.  He lived in a house overlooking the Seine, not far from Chatou.  Caillebotte  was trained as an engineer, built boats and was a great sportsman.  This maybe accounts for Renoir’s youthful portrayal of him (he was 33 at the time of the painting) in his boating attire, consisting of a sleeveless white T shirt and blue flannel pants.  On his head is a flat-topped straw hat around which a blue ribbon is tied.  This indicates that Caillebotte was a member of the privileged Cercle Nautique de la Voile boating club.  He was godfather to Renoir’s eldest son, Pierre.
  10. Adrien Maggiolo , Italian journalist on Le Triboulet newspaper.
  11.  Eugène-Pierre Lestringuez, official at the Ministry of the Interior and close friend of Renoir who often modeled for his paintings.
  12.  Paul Lhote, wearing a straw hat in conversation with Lestringuez and the actress Jeanne Samary.  He was a writer of short fiction and a journalist and close friend of Renoir.
  13.  Jeanne Samary, holding her black-gloved hands to her ears.  Actress at the Coméie-Francais in Paris.

With this group of people we can see that Renoir was illustrating the nature of Maison Fournaise which welcomed customers from a variety of social backgrounds from the wealthy aristocrats to the humble actors.   With the new rail system in place along with the shortened working week, everyone, no matter what their occupation, was able to escape the city and enjoy the pleasures of the Parisian suburbs at the weekends.  The forty year old artist in producing this large masterpiece depicted the modern life of Parisians as they relaxed.  Renoir’s painting captures the idyllic atmosphere as his friends wine and dine on the riverside terrace.  Renoir gathered most of the participants in the painting together early on so that he could organize the composition.  Later he worked on the individual figures as and when they were able to model for him.  It was a grueling time for the artist and Renoir felt the pressure on him to complete the work.  He had a love-hate relationship with the work commenting once:

“… I no longer know where I am with it, except that it is annoying me more and more….”

He made many changes to the work before he was completely satisfied. The final result was a veritable gem of Impressionism.

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Author: jonathan5485

Just someone who is interested and loves art. I am neither an artist nor art historian but I am fascinated with the interpretaion and symbolism used in paintings and love to read about the life of the artists and their subjects.

5 thoughts on “Luncheon of the Boating Party by Pierre-Auguste Renoir”

    1. For those of you who are interested in the painting, I suggest you buy a book entitled Luncheon of the Boating Party by Susan Vreeland which is a work of fiction probably based on a lot of facts about how Renoir came to paint the Luncheon Party and it gives a great insight into the Impressionist painters of the time and how they interacted (or didn’t !)

      1. I downloaded the audiobook and have been listening at work. If I already had an interest I would be enthralled by it, since I only knew of the painting in passing it is merely a very good “read.” I had no idea of what it took to undertake such a work, and since most images do not give a perception of scale I had no idea it was so large!

  1. What of the face just below the number 8? Wouldn’t he make 14? I know that 13 people sitting around a table on an upper terrace would not have been received well.

  2. Hello there my name is sir Robert A,. SALAZAR FROM CALIFORNIA,USA AND I HAVE COMe acros a beautiful painting I received from an old dear friend of mine . It is the boating party 1652. It framed and matted and is very intriguing , enduring even. And on the back side there are labels of how to hang a picture up the proper way and also a “Windsor Art Products” label stating IBM # g6578338 and description stating the boating party1652.
    This art production company is located here in California in the city of Pico Rivera 90660.
    I have done some homework and researchEd the piece.Seems to be a prize winner.
    I myself love staring into it just because it’s so breathe taking. But me myself I don’t own or rent a home ,app etc . And I have nowhere to hang my master piece.and one thing I learner ed from my grandmother Virginia Fraijo Ambriz is that there’s always somebody out there that could get more enjoyment out of something that I have in my possession than I couldn’t even imagine .
    So I have this master piece.and I would love to find it a new home. If the price is right of course . .I have a few pictures of my master piece on my Facebook page,please felt free to check them out.the 4 your tyme

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